Speaking of work that gets seen by hundreds upon hundreds of people (assuming you’ve read my previous post), my touring stage adaptation of Frankenstein is once again on the road for the Hampstead Stage Company.

As you remember from last year, I was charged to write this play by my bestie Jay Pastucha (Artistic Director) as they were trying to integrate more material for high schools/ young adults. The feedback was really great and with that jolt of confident (and a bigger budget), Jay and I were inspired to revamp the script and add… wait for it… a third character! And what’s more, cast a woman! What an insane concept, right? 

Jokes aside, we found that to tell a one-act version of Frankenstein with two people, for children, was a little restricting in our own creativity. We resolved, therefore, to actually write in the character of Elizabeth, rather than have her represented by hard-to-hear voice overs. To use a monster metaphor, there is just so much more meat on the bones, with characters, intentions and scenes fleshed out to a point that I can comfortably be proud of as a playwright.

Currently the show is being toured throughout New England and the Midwest, but not just to schools. Hampstead Stage is great in that they are willing to perform for anyone anywhere. Productions that I’m excited about were staged at the Heartwood Regional Theatre Company in Newcastle, Maine and FrankenFest in Indianapolis.

Praise to Jay and managing director, Anna Lynn Robbins, for believing in the show enough to take a risk on improving the show. In a world controlled by bottom lines, it is a beautiful thing to make art for art’s sake on such a scale. So if you’re looking for a short yet explosive adaptation of Frankenstein, let me know! I don’t know if it will hit the road again next year on tour, but it won’t be the last you’ll see of Victor and the Monster (oh, and Liz now too).