Tag Archives: literature

The Oresteia Strikes Back

For those of you who are interested, the adaption of The Oresteia that I was in last year is actually being published! The original is by Aeschylus, of course, but Minnesota writer and poet, Rob Hardy, turned the trilogy of Agamemnon, The Libation Bearers, and The Eumenides into one action-packed narrative.

HNT

I think it’s pretty good and will definitely be getting my own copy, which includes a forward about the original production from Hero Now Theatre. Fun fact, this is the first time I have been listed as an actor in a published script!

Check it out here at http://heronowtheatre.org/store/

 

Romeo: Ah, Dear Juliet…

In just a few weeks I will have the enormous pleasure to portray Romeo in Mission Theatre Company’s Romeo and Juliet!

The show is directed by Penelope Parsons-Lord and will be at the Crane Theater in Minneapolis from June 2 – 17. What excites me most about doing this show is the chance to breathe some freshness into a story we all know. We all know what “violent delights” brings at the play’s conclusion, but what I’m challenged to do as a performer, is make you completely forget that the ending is as inevitable as all that.

That is my challenge and my joy. Romeo to me is not only a young lover but the embodiment of a love we all wish we knew. Whether it’s been lost or never had, that kind of undying, passionate, over-the-moon love is so beautiful and (whether it exists or not) the idea of it is enough to make us burst with emotion. Those feelings are certainly fueling Romeo’s desires, but it’s also the very real stakes of the play that really drive it all home.

Romeo and Juliet are two characters constantly fighting for what they believe in since it seems everyone is against these two people simply being together. Their parents, the government, even the freakin’ stars. I’m simplifying, of course, but by boiling it all down to the basic “what is this about”, you really expose the absurdity those aforementioned obstacles. Why can’t people live and let live? Why can’t love just be pure and innocent? Why do people and governments feel as if they have a right to butt into other people’s private affairs?

Romeo, therefore, is a truly hopeless romantic. He is a good person, a stand-up guy who is well liked and only wants to marry the girl of his dreams and yet… he is killed, thereby causing the death of his equally innocent counterpart, Juliet. Now that is some fickle shit from ye old Fate. Nonetheless, that is life after all and the tragedy the play presents. To present a show just about two angsty teenagers who kill themselves would be absolutely unbearable to watch. No, what the play is about is why they come to the conclusion that this is the only way out. How suffocating does a situation have to become for someone to take such drastic actions? When you look at the play that way (and most plays, really) it is as compelling and riveting a story as any in the canon.

I’m so grateful to be telling this story to audiences and doing so with a truly remarkable team, both on stage and off. It may be Romeo and Juliet but they are only as good as the ensemble around them.

 

From Mission Theatre Company:

You think you know the story of two star-crossed lovers who took their lives… but there is so much more than the title characters; there’s something bright, attractive, and urgently relevant about this play when fearlessly performed. And that is what this production will bring to audiences. We will aim to look specifically at unending cycles of violence, at the people it affects, and that violence is NEVER self-contained; violence breeds violence. This production will be ambitious, brave, fast, funny, and relentlessly tragic.

Showtimes:
Friday, June 2 @ 7:30pm
Saturday, June 3 @ 7:30pm
Sunday, June 4 @ 2:00pm
Monday, June 5 @ 7:30pm
Thursday, June 8 @ 7:30pm
Friday, June 9 @ 7:30pm
Saturday, June 10 @ 7:30pm
Monday, June 12 @ 7:30pm
Thursday, June 15 @ 7:30pm
Friday, June 16 @ 7:30pm
Saturday, June 17 @ 7:30 pm

Featuring:
Eric Balcerzak as Lord Capulet
Tyus Beeson as Tybalt
Michael Terrell Brown as Balthazar/Ensemble
Gary Danciu as Friar
Caitlin Featherstone as Ensemble/Dance Captain
Vincent Hannam as Romeo
Ashley Hovell as Benvolio
Tamara Koltes as Mercutio
Jason Kornelis as Prince/Ensemble
Bethany McHugh as Juliet
Stanzi Schalter as Friar John/Ensemble
John Stark as Paris
Anneliese Stuht as Nurse
Maggie Mae Sulentic as Ensemble/Fight Captain
Andrea Rose Tonsfeldt as Montague/Ensemble
Amy Vickroy as Lady Capulet

Technical Team:
Penelope Parsons-Lord: Director
Ellen DeYoung: Stage Manager
Tony Stoeri: Lighting Designer
Leazah Behrens: Set Designer
Steve Herzog: Sound Designer
Penelope Parsons-Lord: Costume Designer
Krista Weiss: Assistant Costume Designer
Michael Kelley: Fight Choreographer
Andrea Rose Tonsfeldt: Hair/Makeup Designer
Turi Jystad: Assistant Stage Manager

A Tempest is A-Brewin’!

This summer I’ve been back in Maine at the Heartwood Regional Theater Company, rehearsing Shakespeare’s The Tempest. We open this Friday!

I get to play King Alonso of Naples of Milan, who with his nobleman, must battle storms, harpies and lingering melancholy while they search for Ferdinand – the young heir to the throne. Little does Alonso know that his old arch-rival, Prospero, is is full control of all these maladies.

The Tempest, 2016
Photo Credit: Jenny Mayher

Not only is the show truly delightful to be a part of – with all it’s heartbreak, love and fantasy – but it’s just great being back in Damariscotta so soon after Our Town! Griff Braley is directing again and this time the cast features so many old and dear faces: Diana Jurand, Jay Pastucha, Deirdre Manning, Jason Osorio and Patrick Sylvester! I wonder if so many UCF alums have ever been in a show together after college? Of course the cast is more stacked than that with Helena Farhi, Steve Shema, Steven Czajkowski, Jahmeel Powers and Sebastian LaPointe.

So here we are about to tell this magical story, the last of old Billy Shakes, while the sea beats on not eight miles from here, against the timeless rocks.

Feed My Frankenstein

Super duper uber excited to share with the world that the fundraising campaign for my play, Frankenstein, is… wait for it… alive!

Okay, just had to get the puns out of the way there before you think that this adaptation is anything close to cheesy or corny. We’ve all seen those movies and cheap Halloween costumes so why would I create something even close to that? This adaptation is as true to the original novel as I could make it, keeping in line with all the themes of mortality, religion and self-being. Only one act, the classic story is told with two actors, who along with the whole creative team, are dedicated to keeping everything as grounded as possible.

Frank 1 for paper

As the playwright, though, I have to give all the credit to the Hampstead Stage Company who commissioned the piece and is producing it as part of their Young Adult series this fall. With a focus on middle and high schools, the play will be toured throughout New England at a theatre near you.

My friends at Hampstead have been working tirelessly to get the project off the ground and now as we’re about to start production, we come to the final stage of preparedness; raising the last amount of funds we need! I can go on and on about how important I think the mission of Hampstead is but fortunately, the Artistic Director and Company Manager have made a hand-dandy video that explains everything so much better than me.

Please take a look and consider donating to a company who really takes advantage of theatre to affect the lives of both young and old. Let me know too, if you would like to know more about either Frankenstein or Hampstead as a whole, because there is so much to this company than my little old play.